It was the most dramatic event in American history outside of war and revolution. San Francisco, dubbed “The Paris of the Pacific” for its astonishing wealth and libertine spirit, had witnessed an explosion of art and literature: Mark Twain, Jack London, Isadora Duncan, and Ambrose Bierce were either born or launched their careers there. Mark Twain said, “San Francisco was paradise to me.” Part Paris and part Dodge City, Shanghaiiers were still kidnapping men into slavery on sailing ships, and Chinese girls, some as young as seven, were still being sold in the basements of Chinatown. In mid-April, 1906, a massive corruption probe, launched in the White House office of Theodore Roosevelt, was about to indict San Francisco’s mayor, Eugene Schmitz, political boss Abe Ruef, and the city’s Board of Supervisors. The brilliant fire chief, Dennis Sullivan, had been fighting to get city officials to build a massive fire suppression system: the Board of Fire Underwriters had stated that San Francisco was on the verge of a fiery disaster. Five hours after Enrico Caruso delivered a stunning performance as Don José in Carmen, a massive earthquake struck. In three terrible days, military and national guard and “special police” would be authorized to shoot suspected looters: dozens of their victims were innocent people. The military would use dynamite in an attempt to blast fire breaks on wood frame buildings, spreading the disaster. A city of 430,000, the jewel of the American West, would be gone. Narrated by acclaimed author Peter Coyote, written and directed by James Dalessandro, author of the best selling novel 1906, The Damnedest, Finest Ruins includes interviews with noted historian Gladys Hansen and Fire Chief Joanne Hayes-White.

Forms: Documentary, Experimental, Feature
Genres: Educational, Period/Historical