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Film Maker's Blog
From 'Visions' to 'Hollywood'
Apr 29, 2008 10:25AM
Here's the latest - I attended NYFA and made 5 shorts, the final thesis project being the short film 'Hollywood.' 'Visions of Violence' is finally available for purchase on imoovie, here's the link: http://www.imoovie.com/index.php?option=com_virtuemart&page=shop.
product_details&flypage=shop.flypage&product_id=3070&category_id=4. Production was cancelled on the 'Visions' follow-up, 'Dyspraxia' and another film will be made sometime between summer and fall of 2008.
'VISIONS' NOT DEAD YET...
Apr 14, 2007 12:51PM
I will continue to forge ahead with 'Visions of Violence' and seek a distributor. As for the new film, that film has hit production problems due to malfunctioning equipment, a lack of actors/actresses, and controversy over the new teaser trailer for the film. That said, the new film will also march on...but slowly.
STRANGE ROAD FOR 'VISIONS'
Apr 14, 2007 12:49PM
What looked like a sure thing is no more. The distribution deal for 'Visions of Violence' fell through as the distributor ran into problems with their main vendor. That said, they didn't want to push the film through their 'main line' as the non-narrative wouldn't be 'smart financially.' Okay, whatever. If people don't want to support a good, different film, then what does that mean for the future of cinema? More remakes??
'VISIONS' HAS A RELATIVE...NEW TRAILER!!!
Feb 25, 2007 08:41AM
I am still seeking distribution for 'Visions of Violence' as well as forging ahead with new films. The follow-up to 'Visions' is 1/2 done and the teaser trailer is available online, check it out: http://www.youtube.com/watch?v=OiyrbvKSeiA
'VISIONS' DVD BOUND?
Feb 10, 2007 02:31PM
Right now, 'Visions of Violence' has the possibility of having a DVD release through 3 different direct-to-video companies. Hopefully, by early summer, a deal will be set in stone. But you never can be sure in this business. In other news, the sequel is off and running but there are still many parts to be cast and they will be cast as we film.
A NEW YEAR FOR 'VISIONS'...
Jan 03, 2007 07:34AM
Happy New Year to one an all and off we go....but to where? Hopefully we will all continue to be creative and make the films we WANT to make, not the films we think people WANT to see. Make it from your heart or don't make it. Moving on to 'VISIONS OF VIOLENCE,' hopefully by the 2nd quarter of 2007, the film will be available on DVD and online (hoping for 1 or the other, would love both). 'Visions of Violence 2' is off and running and shooting and casting and well, it is very difficult to try and make. 'VOV 2' is the working title but that title is tentative at best. 'VOV 2' will be followed by yet another extremely personal film. But let's not jump the gun, this is a new year and 'VOV' will be seen by many (fingers crossed0 by thus summer!!
HIGH HOPES FOR 'VISIONS'
Dec 13, 2006 12:25PM
Well, it's been a while since I last wrote and what a difference a month makes. It appears I have 2 shots at possible (and I use the term loosely)...possible distribution. I'm not going to name the names of the companies just yet but company A is working with me with regards to a possible (there's that word again) February deal. Company B is still reviewing it and trying to figure out what type of deal and a way to promote it.
In other news, 'Visions of Violence 2' has begun production and judging by how things are going, this is going to be a very, very long shoot. But so far, so good.
'Visions' MARCHES ON
Nov 20, 2006 02:20PM
'Visions of Violence' has been sent to a company that streams indie films onto the net. So, fingers crossed, we shall see.....and if that works great. If not, there is still a chance that the Film Fest I mentiond in my 11-09-06 blog will stream the film. A lot of people have asked how they can go about seeing it and this would really help me a great deal to get it seen.
'VISIONS' + 'M.O.' = WHAT?
Nov 09, 2006 01:14PM
I can now confirm that my next film will be a direct sequel to 'Visions of Violence.' Of note: in my next film, there will be some footage shown from 'M.O.' More news forthcoming concerning the new film. But let us not forget that 'Visions of Violence' is only 8 months old and still seeking a home. Whether it's self distribution or not....'Visions' will be available no later than the 1st quarter of 2007.
'VISIONS' MISSES FIELD GOAL
Nov 08, 2006 08:59AM
Well, another diret-to-video distributor said 'no' to 'Visions of Violence.' They didn't know why they were passing and their reply was very cryptic. Oh, well, what can you do? On the lighter side of things: I got an email from the OT film fest organizers (from Norway) and they are interested in streaming the films they didn't select on their website. We'll have to see if that pans out.
'VISIONS' & FRIENDS
Nov 03, 2006 01:08PM
A lot has been going on lately with regards to 'VISIONS OF VIOLENCE' and my next film. First things first, let me say that 2 more distributors are going to review my film. So, the search goes on for a distributor and you know what? If I don't find one by next spring then I'll distribute the film myself. I can honestly say this, 100% in truth, I never intended to make this film and make $ off of it. I didn't. I made it because it was a deeply personal film and one that I had to make in order to deal with certain events in my life as well as certain creative desires from within. People make look at the film and say 'what a peice of garbage,' but, if they knew how it came about and how it was pieced together, then they may shut their mouths. That said, 'VISIONS' was made to be seen by people as what an 'attempt' at experimental non-narrative episodic filmmaking is all about. It's an experiment and one that many don't comprehend when they see it or its trailers. Moving on, I have begun preproduction on my next film. People have asked what the new film is and whether or not is a sequel to 'VISIONS.' I can neither confirm nor deny that it is a sequel at this time. All I can say is that the new film will be a technically superior film to 'VISIONS.' And let me end this blog by saying a BIG 'Thank you' to all of my new friends here at withoutabox.com. Thanks for becoming a friend and looking at my blog as well as at my film. I appreciate it.
SOMETHING POSITIVE FOR 'VISIONS'.....for a change
Oct 26, 2006 06:18AM
'VISIONS' has been making its rounds being seen by friends of friends of friends and 1 of those emailed me the following: "I will tell you that I liked it. It was definitely bizarre and out there, but I found myself getting a kick out of it. The crazy guy in the back of the car was hysterical...and Kooz is a bad-ass. GO KOOZ!!! (Ha!). And I'm surprised that you lived after all that "girls at the party" talk! As bizarre as it was, I "got" it."
SOMETHING NEW FOR 'VISIONS'?
Oct 20, 2006 03:46PM
I know it's been a while since I wrote anything but I got frustrated. Frustrated that the MAIN reason for my film getting rejected from the next wave of direct-to-video distributors was due to the following reason(s): no NUDITY. I was told straight up by 3 places that if I had nudity, they would've taken the film in a heartbeat. Really? That makes me feel good. So, what I've been doing is revamping my idea for my follow-up. And I've decided that my follow-up will be a direct sequel to 'Visions.' You read correctly, a direct sequel. And if the distributors want something? Guess what? They will get it. The sequel will be more violent, more vulgar, more profane, and this time, there will be NUDITY. And LOTS of it.
A SMALL REFLECTION ON 'VISIONS'
Oct 09, 2006 08:07AM
I have been having a tumultuous time trying to get my experimental-avant garde-drama 'VISIONS OF VIOLENCE' out for all the public to see. But, time and time again, I have been rejected from festivals. And also disappointed that it wasn't "sold" into distribution. But I know that I cannot manage the public's reaction to it. Acquisition execs don't see what I saw when I pieced my film together. They have an idea of what they want to see and how it should look. This is due to a lot of reasons, the number 1 being: the mainstream media. My film doesn't look as slick and polished as the latest Hollywood product. And a majority of people don't 'get it' when they do view it. The people who have seen my film and commented on it understood (for the most part) the experience I was trying to project. If people truly knew how this film came to be, then maybe they wouldn't be so critical of it. If they knew how I had to claw and pretty much super-glue this film together, then I wouldn't hear any one say 'it's not that good....I could've done better.' All I can say is: I am very fortunate that it ever got made. And why? Because this is a film that aims to: fascinate, provoke, and inspire. This wasn't made to make millions and follow the cookie-cutter multi-plex standard. I understand that filmmaking is a complex artform. And when you do all the roles, and I mean, all of them - (dop/editor/writer/producer/director) - you have put your heart and soul into YOUR film. And just being able to finish the film and see it come together in the editing.....what a feeling. Then when it's done....what a feeling. I knew that making a low, low, low budget film would be tough. But I infused my film with a unique approach. And a strange, bizarre, personal film is a step ahead of a filmmaker who only talks about how they can't make a film due to a lack of funds. I remember when I told a guy, a regular guy, that I wanted to make a film. He simply said: 'Then pick up a camera and make something!'
'VISIONS' AND MATH
Oct 04, 2006 09:49AM
Unless my math is incorrect, it was a 3% chance to get accepted for the WT OS Int'l Film Fest. I don't feel so bad. The odds weren't good but hey, what can you do, right?
'VISIONS' REJECTED
Oct 04, 2006 09:46AM
WT Os International Film Festival in Norway has sent me a message regarding 'Visions of Violence.' --"Your film was NOT ACCEPTED. This year we received 1800 films for our film festival. We managed to put 60 of the submitted films in the program. This is 10 more than planned. There were lots of films that we really liked, that we were not able to screen. I'm sorry for that . Best regards, WT Os International Film Festival."
'VISIONS': WHERE TO NOW?
Oct 02, 2006 02:43PM
'VISIONS OF VIOLENCE' is still with 8 direct-to-video distributors and still awaiting word on a film festival.
No matter how many people disrespect, mock, attempt to discredit, laugh at, and hate 'VISIONS' because it's different, I will continue to seek avenues to get it seen!!
While still trying to get 'VISIONS' out there....
I have started to do pre-production on my next film. I cannot lay down and die, I must march on!!
REGARDING YOUR 'VISIONS': I LIKED IT BUT......
Sep 29, 2006 05:57AM
It gets so frustrating when one get 3 rejections from video/dvd distributors in one day. It gets even more frustrating when it has to do with your originality. I received one regular 'thanks but no' emails but the other 2 hurt the most, especially when they praise the film but can't do anything with it. **
EMAIL #1: The screener was received and viewed. Reading the notes that were provided to me the consensus was that, while it was unique, it doesn't fit any of the output arrangements we currently have in place.***
EMAIL #2: I did have a chance to watch it. It was very interesting and certainly unique. Unfortunately we’ve decided to pass on it. While very different, the production values are a challenge to work with, though they are right for what you achieved, and it would be a big challenge for us to handle. I admire your vision and the fact that you’ve done something new. Unfortunately it’s not fitting with our mandate. Best of luck with the film.***
Maybe it's time for me to quit on this one? And make another one. More in tune with 2000's cinema.
THE FOURTH 'VISIONS' TRAILER
Sep 27, 2006 06:07PM
Please check out trailer #4 for my film: http://www.youtube.com/watch?v=C4UfMTNviZw
1 YEA, 1 NEA FOR 'VISIONS'
Sep 27, 2006 09:29AM
At the same time, 2 different people on 2 opposite sides of the country (Nevada vs. Connecticut) watched 'VISIONS OF VIOLENCE' the other night. And it provoked 2 different reactions.**On the Nevada side, the person told me the following-----"The film was interesting and bizarre but overall I found it to be too self-indulgent. Editing could've been used on certain sequences and I found some characters outright annoying: the security guard especially. 1992 was good, 93 was okay, that riot-too-hot-guy preached far too long, 95 was at times tough to hear, 98 went on too long. I would give it a 2 out of a possible 4."-----The Connecticut side of the coin told me, "I really liked it. It was different and you're really on to something. Your unique style is a breath of fresh air far from the polluted land that is Hollywood. I await further films from you as I am sure they'll be a nice change from the mess we are seeing at the local multiplexes. I'd give this a 3.5 out of 4, 4 out of 4 for creativity! And hey, Chris, why didn't you show the party??!!"
'VISIONS' EARNS A SPLIT DECISION OR DOES IT?....
Sep 26, 2006 10:08AM
I sent a few more emails to prospective distributors recently and received the following replies. All I can say is what can you do? It's a tough racket when you're trying to put forth creativity and they want Tom Cruise. Sorry. And here are the replies: Email#1 "Thanks for your email. I checked out the trailers on youtube.com. I'm afraid this is not the type of product we're looking for at this time since both the subject matter and the various video/film formats would make it a hard sell for us.” Email#2: ‘I am sorry but this project is not actually something that we would be interested in taking on. We tend to only get involved with full length features with a named director and bankable talent attached, to promote and sell a film internationally. Good luck with the project.’
WHAT'S UP WITH 'VISIONS'
Sep 22, 2006 03:00PM
'VISIONS OF VIOLENCE' is currently with 13 distributors being reviewed and has been submitted to 2 film fests (for now). The march goes on for new distribs/fests and if anyone has a suggestion for a direct-to-dvd distributor that deals with low budget films, please let me know.
'VISIONS' TRAILER IS FINALLY ON WAB!!!
Sep 21, 2006 09:06AM
Take a look at the film's trailer. I know it's short at 21 secs and it plays like more of a teaser, but it does give you some info on the film. (Please don't mind the quality, I don't know why it's so bad and for that I apologize). note::
If you want to see the longer ones, scroll down into my blog to find all of the trailers at youtube.com.
SEQUEL TO 'VISIONS'? OR SOMETHING DIFFERENT?
Sep 20, 2006 05:44AM
http://www.b-independent.com/news.htm............
please click on the above link and read the news under Sept 20th.......
It's news on my next film!!!
'VISIONS' ACTOR ON IMDB!!
Sep 19, 2006 10:09AM
Check out 'Drive In' Dave Lounder on imdb.com: http://www.us.imdb.com/name/nm1739958/
ANOTHER PLACE TO FIND 'VISIONS'
Sep 16, 2006 01:31PM
I recently posted the first trailer for the film 'VISIONS OF VIOLENCE' on www.videokarma.com. Click on the indie filmmaker section on the right side of the homepage. You'll be able to find it from there.
'VISIONS' IS CLOSE...BUT NOT CLOSE ENOUGH
Sep 11, 2006 07:53AM
This was an email I received over the weekend: "Thanks very much for sending us your screener, VISIONS OF VIOLENCE. Unfortunately, I don't think it will work for our online format - one of the difficulties is the extensive use of text headers throughout the body of the piece - certainly not a problem in other formats, and a perfectly valid storytelling device, but because of the small 'windows' many people use to watch Internet video it would make the narrative difficult to follow. In any event, I do want to congratulate you on the completion of the film - I have a great deal of respect for anyone who follows a long form project through to completion, and I hope you'll get back in touch with your next project. In the meantime, I wish you every success with VISIONS OF VIOLENCE. ~~Sincerely, Doug
EXPERIMENTAL 'VISIONS'?
Sep 05, 2006 07:08AM
I emailed a distributor the other day and received the following email response: "Thanks for the info on your film. We reviewed the trailers and unfortunately it seems a little too experimental for us. Our buyers look to us for high-quality TV movies or films that can play on network tv." So I guess what they are trying to tell me is that VISIONS OF VIOLENCE isn't high-quality. Sorry to offend.
WEIGHING IN ON 'VISIONS'?
Aug 28, 2006 02:50PM
As I wait for word concerning distribution and festivals for 'VISIONS,' I received an ambivalent email from a possible distributor. I will relay the email verbatim: "The project sounds extremely interesting and we really liked the idea of it after having watched the fascinating trailers. However, unfortunately it is not quite what we are looking for for our slate at the moment so we are unable to take it any further. I wish you the best of luck with the film and everything else you are doing. Best wishes." **All I can say to this one is hmm.....they liked it but....but what?
'VISIONS': A BRIEF HISTORY
Aug 25, 2006 08:58AM
For me it all began in a partially lit parking garage in Central Connecticut. November 2005. An unseasonably warm evening and here I was, Mini DV camera in hand and actors at the ready. After so many false starts, my film was finally going to happen. I had decided to make a baby epic, my genre of choice: the gangster film.
But let's hold on just one moment. And rewind...
Let's go back to the year 2002. The year I invested $2000.00 into a Super 8 thriller entitled, 'M.O.' I would shoot first and sync the sound later. A good plan, right? Wrong. The transfer from film to video was horrendous. One of the worst you'll ever see as it made my film look like a grade Z home movie. A friend recommended that I take the color out of the film: he was right, it worked. The film now had a unique edge in glorious black and white. But all was not saved. The sound syncing did not work. After five months of working on the film, 'M.O.' was no more.
Between numerous starts and stops during the years 2003-2005, I tried in vain to get a new project off the ground. I just couldn't find one that would hold water. Every time I thought I had a problem fixed, a new one sprung. For every project, a new problem (i.e. sometimes I just stopped believing in a project or an actor would 'disappear').
That is until January 2006. My gangster film just wasn't matching my vision. So, I thought to myself: what would? What could I possibly put together, that not only will work, but that I truly feel passion for? Then it hit me. I had footage of my friends from a few failed attempts at other movie ideas along with some of us just clowning around. The seed had been planted. And the idea started to grow and grow and grow.
I constructed an idea about a documentary that would detail what it was like to be a teenager/early 20-something in the 1990's (1992-1998 to be exact). And my 'VISIONS' were born.
'VISIONS' HEADED OUT.....AGAIN!!
Aug 24, 2006 08:55AM
'VISIONS OF VIOLENCE' is currently being reviewed by the following: 3 Canadian distributors, 1 UK distributor, a handfull of US distributors, and awaiting word on submission to 3 film festivals. One of the fests is the WT Internationale Film Fest in Norway! The trailers on youtube continue to be viewed and word of mouth is spreading. Thanks for your contiuned support!
MORE OPPORTUNITY FOR 'VISIONS'
Aug 16, 2006 09:29AM
Another Canadian distributor said and I quote: 'The trailers were....interesting. Your film looks very different. I'd really love to take a look and see if it is for us.'**That is a good thing.
HOW IS 'VISIONS'?
Aug 11, 2006 03:15PM
Let me start by saying that I appreciate all of the support for my film, VISIONS OF VIOLENCE. I appreciate those of you who have told others about it and sent them my trailers to view. --------There are 3 trailers to see, feel free to visit them and leave comments: ------http://www.youtube.com/watch?v=J-nGmFWjjWY ------http://www.youtube.com/watch?v=p8eCTjIrwbg ------http://www.youtube.com/watch?v=h__tZ34IO8c -------
I have sent the film to a distributor in England. (When they get it is a big question mark considering the world we live in, I don't mean to go off on a tangent here, but please people, what is wrong with this world?) I also sent the film to 2 other distributors in LA and now I have an interested party based in Canada. That means my 'VISIONS' will now be in 3 countries very soon!! ------------So, the beat goes on seeking fests and distributors. But I must say 2 things: 1) people, take care of yourselves and watch your surroundings. This post 9/11 world is a dangerous one. 2) God bless the men and women who are proudly serving and protecting our country (and freedoms) so we may have the choice to make a film.
'VISIONS' for one but not for another....
Aug 01, 2006 10:33AM
Concerning the latest with 'VISIONS': A person wanted to let me know the following online (and this is verbatim): 'What kind of drugs are you on? If you try to apply logic to the universe, you will innevitably loose.' (Yes, inevitably and lose are spelled wrong so I took those comments with a grain of salt). I don't mind the criticism, I don't. That's part of the film business, actually any business but please, make some sense before you cut me down. Okay?....
Moving on to greener pastures: Contentfilm International in England has requested a screener. 'VISIONS' is about to go international!!!
'VISIONS' in LA....
Jul 30, 2006 01:47PM
I am currently in LA trying to set up a distribution deal for the film. I'm also still awaiting news from a few festivals to see if we have been selected. Last night, I went to the Aero Theatre in Santa Monica and viewed 'ROCK N ROLL HIGH SCHOOL.' After the screening, the director spoke to the audience and I learned a lot. A lot.....Hearing the gritty production stories first hand from a filmmaker is the best way to understand and to learn. And it gives me hope, hope that 'VISIONS OF VIOLENCE' will find a home...
Confusion over 'VISIONS'
Jul 20, 2006 11:11PM
What in the --? That's the only thing I can say. Why? Because some people aren't getting it.
A video distributor emailed me saying 'not sure if I can do anything with it.' A person interested in being in my next film said the trailer for the film 'looked rural.'
Okay...
Not sure if I can do anything with it = I can't classify it under a genre. So?
It 'looked rural.' What the--? It was filmed in and around a city, actually multiple 'cities.' So the rural look....I don't get it.
And apparently, neither does my public.....
'VISIONS' Blurred?
Jul 14, 2006 06:25AM
Francois Truffaut was once quoted as saying, "I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between." A direct-to-video distributor recently passed on 'VISIONS OF VIOLENCE.' He said it was about a 3 out of 4 stars on the rating scale but that the film had a problem. The problem? The film felt too much like a product of the 1970's. And that's a bad thing? In this current age of CGI, sequels, schlock, and rip-offs, the 1970's were the last 'golden age' of cinema. It began in the late 60's and lasted until Jake La Motta raged across the screen in late 1980. Can it be truthfully written then that I aimed for my film to have a feel like those classic 70's films? Absolutely. My film was edited and constructed in such a way to evoke emotion and if that's a bad thing, well.... Let's see, Martin Scorsese had 'Mean Streets.' George Lucas had 'American Graffiti.' Brian DePalma had 'Greetings.' All three of these films are classics. And where does 'VISIONS OF VIOLENCE' rank alongside those? I haven't a clue. I am not at all trying to compare myself to those three masters. I have learned from them and learned from what I feel are the best years of when cinema evolved. My film had what it needs: grittiness. That was a staple of 70's cinema. As well as a non-linear plot. Some people don't like a non-linear storyline. To those all I can say is 'sorry.' To those who like something different and experimental with a 'feel' of 70's cinema I can say only one thing: open your eyes to my 'Visions.' So I'll close with this: if my film feels like 70's cinema, is that a bad thing?
'VISIONS' TRAILERS AVAILABLE!!!
Jul 11, 2006 01:48PM
I have placed 2 trailers for the film on youtube.com. Check them out!! http://www.youtube.com/watch?v=J-nGmFWjjWY & http://www.youtube.com/watch?v=p8eCTjIrwbg
Someone has DEJA VU watching 'VISIONS' and what's with the music?
Jul 02, 2006 09:34AM
'VISIONS OF VIOLENCE' is starting to generate interest and people who view it are starting to stir.
Let me tackle two of the issues that people are talking about:
1 - The actor who plays the Ice Cream Customer (who explains his version of why the riot happened) is Drive-In Dave Lounder. And yes, he has appeared in other films. He can be found on imdb.com and he was in one of my earlier features. That film was called 'M.O.' and he played the character of Det. Edwards.
2 - The music that is featured in my film is from a CT based band entitled, STEALING PROVIDENCE. They have a myspace page and if you're interested, you can get a CD from them and check out tour dates. They do play in CT often so go check them out.
Their music helps my film a great deal and I again must thank them for this. As I must also thank Mr. Lounder for his exceptional performance.
Let me tackle two of the issues that people are talking about:
1 - The actor who plays the Ice Cream Customer (who explains his version of why the riot happened) is Drive-In Dave Lounder. And yes, he has appeared in other films. He can be found on imdb.com and he was in one of my earlier features. That film was called 'M.O.' and he played the character of Det. Edwards.
2 - The music that is featured in my film is from a CT based band entitled, STEALING PROVIDENCE. They have a myspace page and if you're interested, you can get a CD from them and check out tour dates. They do play in CT often so go check them out.
Their music helps my film a great deal and I again must thank them for this. As I must also thank Mr. Lounder for his exceptional performance.
One of the 'Stars' of 'VISIONS' gives his thoughts!
Jun 27, 2006 08:54PM
Jeff Marquis, one of the many talented stars of my film, 'VISIONS OF VIOLENCE,' received the film by mail today.
He called me right away to tell me the following:
1 - He thought it was very well put together (up to this point, Jeff had only seen raw footage of the film).
2 - He thought the 1992 segment was right on the money and said that seeing the footage took him right back to those days and that I hit on the 'feel' of what life was like then.
3 - The conversation between Chris and Dave in the 1998 segment was absolutely hilarious.
4 - Everyone was 'dead-on' in their performances.
5 - He is proud of the project, especially his role in the 1995 segment.
He rates the film ****!!
Now, I know that because he was in the film that some bias creeps in, but I have had actors tell me negative things about projects I've worked on in the past. So, to hear some praise, feels good.
It is also interesting to note that another person, Mike G., (who was featured only in the closing credit pictures) saw the film for the first time this past Friday, June 23rd.
He, like Jeff, also liked the film and thought that I infused the film with passion. He thought it was 'daring' and 'original' and that I had 'nerve' to cut that close to the bone. I could really understand where he was coming from. You see, Mike is also an artist and we discussed how one must 'feel' the project otherwise it becomes very difficult to carry through with it.
Being an artist, be it a writer, filmmaker or painter, we can relate to how we start a project, perhaps more than one, and not 'feel' it. We then try to change the direction of it or just drop it and try another and another.
'VISIONS' was something I've felt. And that I still feel for.
He called me right away to tell me the following:
1 - He thought it was very well put together (up to this point, Jeff had only seen raw footage of the film).
2 - He thought the 1992 segment was right on the money and said that seeing the footage took him right back to those days and that I hit on the 'feel' of what life was like then.
3 - The conversation between Chris and Dave in the 1998 segment was absolutely hilarious.
4 - Everyone was 'dead-on' in their performances.
5 - He is proud of the project, especially his role in the 1995 segment.
He rates the film ****!!
Now, I know that because he was in the film that some bias creeps in, but I have had actors tell me negative things about projects I've worked on in the past. So, to hear some praise, feels good.
It is also interesting to note that another person, Mike G., (who was featured only in the closing credit pictures) saw the film for the first time this past Friday, June 23rd.
He, like Jeff, also liked the film and thought that I infused the film with passion. He thought it was 'daring' and 'original' and that I had 'nerve' to cut that close to the bone. I could really understand where he was coming from. You see, Mike is also an artist and we discussed how one must 'feel' the project otherwise it becomes very difficult to carry through with it.
Being an artist, be it a writer, filmmaker or painter, we can relate to how we start a project, perhaps more than one, and not 'feel' it. We then try to change the direction of it or just drop it and try another and another.
'VISIONS' was something I've felt. And that I still feel for.
A Friend's Thoughts on 'VISIONS'
Jun 23, 2006 04:15PM
A few weeks ago, I sent my friend in Denver a copy of the film, 'VISIONS OF VIOLENCE.'
We have similar interests in film and he knows I've been trying to get a film off the ground for a while.
Well, he viewed it and said the following to me:
"That was the most un-Hollywood film I've seen in quite a while. It reminds me a bit of 'Sweet Sweetback's Baadasssss Song.' The grittiness and the rawness of the material. It was very, hmm....what's the correct word...different. Not what I thought when you first described it."
He added that he enjoyed the acting, especially by the ice cream customer who explains the riot.
The soundtrack by STEALING PROVIDENCE was also a highlight he added.
All in all it was....good.
Well then....here's someone who really had no clue what was coming and found the film to be good.
I'll take it....
We have similar interests in film and he knows I've been trying to get a film off the ground for a while.
Well, he viewed it and said the following to me:
"That was the most un-Hollywood film I've seen in quite a while. It reminds me a bit of 'Sweet Sweetback's Baadasssss Song.' The grittiness and the rawness of the material. It was very, hmm....what's the correct word...different. Not what I thought when you first described it."
He added that he enjoyed the acting, especially by the ice cream customer who explains the riot.
The soundtrack by STEALING PROVIDENCE was also a highlight he added.
All in all it was....good.
Well then....here's someone who really had no clue what was coming and found the film to be good.
I'll take it....
MORE ON MY 'VISIONS'
Jun 16, 2006 06:45PM
A Premiere is coming soon!! More festivals are being sought and things look good!!
TO GET MY 'VISIONS' OUT THERE
Jun 08, 2006 06:18PM
I've been trying to get the film into a few festivals. I've also been attempting to get this on a direct-to-video label. The film has been sent to 3 companies thus far (with more to follow) and I hope someone appreciates the originality of this project. As the old adage goes, time will tell.
I'm also trying to set up a local premiere for the film.
We shall see.....
I'm also trying to set up a local premiere for the film.
We shall see.....
Visions of Violence
May 20, 2006 11:35AM
What is Visions of Violence?
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Film Production Blog "visionsofviolence"
VISIONS OF VIOLENCE: THE TRUTH
May 21, 2006 09:32AM
What is Visions of Violence?
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Film Production Blog "M_O_"
VISIONS OF VIOLENCE: THE TRUTH
May 21, 2006 09:32AM
What is Visions of Violence?
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Well, let's see....
Having a lot in common with David Holzman’s Diary (1967) and the gritty gang films of the late 70’s (Warriors, Wanderers, Over the Edge), ‘Visions of Violence’ is at once a fascinating time capsule of life in the 1990’s as well the ultimate video diary.
While it would be nearly impossible to record every waking moment of one’s life, 'Visions' succeeds in putting the pieces of a diary together, which includes video (4 different formats), Super 8 film, audio conversations, and still photos. Tracing a period from 1992-98, we get an insight into what being a teen/early 20-something was really like.
In a non-traditional, experimental way, the vignettes unspool to form the narrative as a cohesive whole. And that whole is one filled with hanging out, vandalism, working (if you’d call it that), getting arrested, a riot, girls, and much more. At times it appears we’re getting too close to the filmmaker’s soul. And we are. We’re seeing reality from a whole new perspective.
Things visions-of-violence said...
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23 Comments about visions-of-violence
Aug 28, 2007 04:18PM
Please continue to share your filmmaking experiences. You've been silent for a bit and I'd had to have you be mired in a stupor.
Feb 18, 2007 01:44PM
I haven't seen the trailer probably cuz I'm an old guy and not too good with the technical stuff but I love your blog! Honest and with attitude. I just gotta believe good things will happen for your film(s). You can check out my site www.don'ttalksodumb.com if you like politically incorrect humor. Should have the trailer on WAB in a few weeks (completley dependent upon my Director for that stuff). I think my next film will be entitled "India Film Festival, Everyone is invited..........no charge." It will be along the lines of, "Boiler Room."
Best of luck to you!
Burnley
Feb 18, 2007 01:32PM
Nov 29, 2006 08:34AM
Hi there,
I am venkat and i made a forum site for filmmakers .
since the site is new, i am myself collecting work profile , official websites of few involved in filmmaking to post in the site.If you are interested please post your work experience , profile or about your film projects at ----------> www.MyFilmmaking.com < ----------- in category that suits you.This is just a small effort .so the site may not be perfect and useful atpresent.It will take sometime for me to really make the site helpful for filmmakers.
thanks for your time
http://www.myfilmmaking.com
venkat
Nov 22, 2006 03:02AM
Keep up the great work on your project - if you get a chance check out my podcast at http://www.indiefilmnation.com to here the latest independent film news from around the globe!
Mike Smith
Nov 21, 2006 06:42AM
This filmmaker rocks. He's starting to make his next film and everyone better watch out. If you thoguht his first film was good.....get ready. And he's a true friend to the actor. I know about the many problems he had to deal with over the course of many YEARS in trying to make his film. Between flighty actors and seeing his cookie-cutter-competition get all of the recognition. Trust me, he doesn't need naked women covered in blood or zombies or a crime 'thriller' reservoir rip-off to get noticed. His films will be seen. He just needs to find the right outlet. As I stated on my page: 'Long live the new flesh!'
Nov 10, 2006 08:51AM
hey- thanks for checking out the trailer for "larry (the movie)"...glad you dug it. it IS most certainly different -- and hopefully different will be good here. we figure ya gotta take chances if you're gonna make an ultra-low budget feature...can't make some cookie cutter piece of crap with low production value. that only works with tons of dough -- and whether it "works" is debatable. anyhow, yeah -- east coast -- our mission statement is to increase filmmaking on the right coast, especially beantown. we'll go to the left coast for actors and distribution (hopefully).
Nov 09, 2006 06:59AM
Chris, if there's a way you could put a list of your film's main influences, that would be great. And any other news on your next film?
Nov 08, 2006 09:28AM
yo- thanks for checkin out the site and posting a reponse. I replied to it on my page and then realized you may not see it there. still trying to figure out this whole "blogging" thing. anyhow, yeah -- we gotta keep the east coast filmmaking going! you check out our trailer yet? super pixilated -- which is annoying and we're trying to resolve -- but if you let it load for a moment it gets better.
Nov 07, 2006 12:07PM
self distribute and retain control...would love to see this film.
Nov 07, 2006 09:48AM
riot too hot!! i want to see this film. i remember deliverying pizza the night of the king verdicts. great night for tips. don't let anyone say people in los angeles are not generous!!
Sep 29, 2006 10:23AM
... or you can self-distribute in new and creative ways...!
Sep 27, 2006 11:42AM
I haven't had a chance to view the trailers yet but from the descriptions of the film (and its challenges) it sounds like it has alot in common with our film "Breakdown", even though the subject matter is somewhat different.
I'll try and give the trailers a look and see if the commonality continues, but either way it sounds like an interesting project and we should compare notes reguarding distribution, venues, etc. for this sort of work.
Keep fighting the good fight and know that your audience is out there.
Sep 26, 2006 04:32PM
Regarding Mr. Golon's 9/26 blog: What is wrong with the distributors? The film has a VERY UNIQUE "format" and doesn't contain your run-of-the-mill, overdone "subject matter!" They must want the same old, same old tired junk! I've read the ice-cream customer, Drive-In Dave Lounder, I think his name is, has movie credits and is listed in the Internet Movie Database. He isn't considered "bankable?" Also, how exactly does a director become "named?" He has to start somewhere! He can't possibly be born that way! I feel sorry for Chris Golon as he's got a tough row to hoe!!!
Sep 25, 2006 09:50AM
norway! wow I hope you get in and get to go visit!
Sep 22, 2006 04:21PM
so what fests did you submit to?
Sep 19, 2006 04:07AM
Hey there, Stealing Providence here. Just wanted to let you know we posted a preview of VISIONS on our MySpace page. Will let you know what kinds of responses we get.
Sep 19, 2006 04:05AM
Hey there, this is Stealing Providence here. Per our discussion, just wanted to let you know we posted a preview of VISIONS on our MySpace page. We'll let you know what kinds of responses we get.
Aug 16, 2006 02:47AM
Any plans for a "Visions 2?"
Aug 14, 2006 09:08AM
Your blog is very informative. Keep up the pursuit of distribution regardless of the hurdles.
Jul 24, 2006 10:32AM
Are you based in CT?
May 20, 2006 11:51AM
I received this invite from the filmmaker and decided to post my thoughts here. First things first, let's break down, 'Visions of Violence.' The film is a video diary that spans 1992-1998. Each year offers an intro and then we get footage from that year. 1992 seems to be youthful and fun, 1993 gets disturbing (I don't want to spoil it), 1994 is a bit sad, 1995 is angry, 1996 is honestly the weakest, dullest part of the film, as not much happens (sorry :(, I'm being honest), 1997 is 'interesting' yet vulgar and 1998 is comedic and profanity laced. 98 seems to be very interested in pulling pranks and getting crazy thus the more comedic tone. There is a conversation by Chris and Dave (once you see the film you get to know certain people quite well) that while some might feel goes on forever, I thought it was downright hilarious. I'd give the overall film a 7 out of 10. The best segments of the film are 92, 93, 95, and 98. 96 was the weakest (and so was 94). But the weak points DO
May 20, 2006 11:30AM
This film was recommended to me by a friend of the filmmaker. As the film started, I was relieved that it was different and not the standard formula film that most are. Part video diary, part MTV, part reality TV, and part experimental narrative, this film = 100% originality. I'd give this film an 8 out of 10.
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